FilmMagic web Index

Live show production service for
PUSSYCAT Dolls Concert at Venetian Arena

The DE/Digital Entertainment Person of the Year

A GDC Server EN1000 is installed in i-Magic

New Force, and a New Dimension
Young team forming a new force with the Cinematic magical world.

Directors/ Producer

開心家庭篇 -- Happy Family

Our Animation World / 我們的動畫世界 ....

Solo Indonesia HD location filming support:

RED 3D Stereoscopic half way mirror for rent Create 3D live filming

3D Stereoscopic half way mirror for rent
Create you 3D live filming

3D Stereo Vision Production

DI Workflow

Tele-prompter for location works

　

First Chinese Musical for 3D stereo Digital Cinema

The 3D Summer Heat for China 2009, as directed by Lam Wah Chuen

See this at our Filmart 2009 Digital Magic Seminar on 24th March 10AM.

RED ONE 3D stereo movie making in China, tech supported by Digital Magic Hong Kong

shooting completed November 2008

Film Magic, Hong Kong

We have operated for 30 years in Hong Kong, China and Asia,
our production and co-production work has reached out all over the world.

We have an in-house production crew, camera crew, filming studio and equipment
to satisfy co-production needs.
HDCam, HDV, 35mm film work, and latest 2 units of RED cameras.

Film Magic maintain a full time crew with experience in both
film and HD filming
In-house equipment, studio and facilities further enhanced our service.

For detail, please contact
david@filmmagic.com.hk , camera depatment
jackie@filmmagic.com.hk , production department
percy@digitalmagic.com.hk , production adminstration

Map to Film Magic

Latest piece of equipment
Camera set for Stereoscopic vision production

Film Magic / Digital Magic & Rampant Films present
A RED one production
Produced by Percy Fung
Directed by Noel Wilson
Cinematography by Gigo Lee
Produced by Film Magic & Rampant Films 2008
Preview Video Clip: Here

The Fluid
A RED One Production Film Magic/Digital Magic Demo
Call or email to see the Digital Cinema and 35mm film finish.

More 3D Stereo information: www.i-magic.com.hk/3d.html

RED ONE DIGITAL cameras into our 2008 rental and filming service lineup.
- 2 REDs at Film Magic, with additional RED with Hong Kong and other Asian Network
- RED's Ultra-light weight modular, body only 9 lbs!
- RED delivers 12M pixels at up to 60fps, records wide dynamic range, color space at 12 bit
native RAW.
- The Mysterium sensor, with large 29 sq. micron pixels boasts greater than 66db Dynamic - -
Range .
- To match with your 35mm PL lens and zoom, for DoP preferred 35mm Cine look.
- Alternative Nikon mounts for special photography needs
- Acquisition Formats, 2K and 4K.
- Special 8G CF Card image recording, a quick 4K storage that equals to a 400 feet magazine
- RED outlets: red@filmmagic.com.hk , for your Camera Rental and production
                   red@digitalmagic.com.hk , for your RED Post workflow
                   red@heavyoptical.com.hk , for your RED Movie film output
                   red@i-magic.com.hk , for your 3D Stereoscopic work and Digital Cinema mastering

REDs x 2

UHDTV with REDs at Film Magic

2 set of REDs in PL mount

Each with basic conifg,

RED built 15 UHDTV 4K Camera,

RED's LCD and production kit

1 x 18-50 RED Zoom lens,

1 x 320G recorder, 2 x 8G RED cf card,

2 x RED batteries, AC supply and charger.

** One RED CF card, record approximately 400 feet of 35mm film stock imagery.

Optional camera supporting system and lens

Nikon mount adoption, HDSDI 17" location monitor

HDSDI location switcher/mixer.

Coming soon..!!

A UHDTV post workflow for HDTV, SD, Digital Cinema and 35mm Movie release fom Digital Magic, Hong Kong.

Let us learn your choice.., Digital Magic's planning is to acquire one of the following..

i. Assimilates' Scratches

ii. AutoDesk Luster

iii. Da Vinci Resolve

iv. iQ 4K Neo

v. Final Cut Pro

Arri Laser film 35mm film output available from Heavy Optical, Hong Kong
　

Shoot 4k REDCODE RAW to CF cards or RED DRIVES
Additional monitoring with HDSDi and HDMI
Location Data management and R3D files cloning
Location Color work with Final Cut Pro 2, along with Tangent control for final tuning
Open REDCODE RAW files in REDCINE with PC
Open REDCODE RAW files in REDALERT on Macbook PRO or iMac
Apply ISO and other gamma settings
Export 2k ProResHQ, HDCam SR 422/444, QuickTime, 4k .dpx, or 4k tiff sequence from REDCINE or REDALERT
Other Post-production requirements