|
Solo Indonesia HD location filming support:
RED 3D Stereoscopic half
way mirror for rent Create 3D live filming
3D Stereo Vision
Production
Tele-prompter for location works
3D
stereoscopic filming by Film Magic
HD
Service in Film Magic
|
|
Film Magic News and Notes
FEB
2011
Congratulations to Director Bao
Trung Le and the team of "Funny
Ghost" !!
1. Director and Producer of the
1st 3D Stereo
Movie produced in
Vietnam
2. Being the
Number 1 Box Office
in 2011 Spring festival in
Vietnam
3. The most Extensive Digital
Cinema 3D DCP release in Vietnam
We wish him every successes to
come..
Hong Kong team are: Percy, Karlo,
Cyrus, Gary, Jackie, Lik, Kennie and
Anna
SEP
2010
Digital Cinema Mastering and DCP
services
2D DCP
3D Stereo DCP
DCP with 7.1 Audio
KDM keys
DCDM Post work for mastering
Engineering set up and consultant
DCDM production from
various source
Re-master of the Sources, from DCP,
DI master, Film or HD master
...Able to handle various
image and audio formats
Censorship edit
Tilting
New Audio tracking replacement,
dubbing tracks
Re-purposing for Advertising,
event, and Live works
DCP production for Hong Kong,
Taiwan, China
Full readiness Machine
Certificates
DCP production for Worldwide,
hub-to-hub, hub-to-point
Special DCP production for
Competition, Event, Film Fair, and
Promotion
KDM Keys for conditional access of
content
Time and schedule
Numbers of Events/Shows
Reporting
In-House DCI rated Digital Cinema
Servers
Dolby, GDC and Qube
In-House 7.1 ready DCI reviewing
grade Digital Cinema
Audio preview and reviewew and review
5.1 and other New media sound
config
Other forms of deliverables
IMAX Cinema 2K screening
DCP 4K
4K post and mastering
June 2009
《2009 TVB最受歡迎電視廣告大獎》
Congratulation to our Film Director Ah
Fai, and Film Magic team
香港吸煙與健康委員會製作的電視宣傳片「贏上門篇」，榮獲電視廣播有限公司主辦的《TVB最受歡迎電視廣告大獎2009》綜合類別之「最受歡迎電視廣告」獎項。
委員會於2008年以「戒煙」及「無煙家庭」為主題，分別製作了兩輯電視宣傳片「贏上門篇」及「好男人篇」，以「戒煙一定贏」為口號，向全港市民展示戒煙對個人及社會的好處，從而鼓勵市民積極支持家人及身邊人戒煙，共同投入無煙的健康生活。以上兩輯宣傳片均成功晉身《TVB最受歡迎電視廣告大獎2009》綜合類別之「最受歡迎電視廣告」最後五強，並公開接受廣大觀眾投票，選出最受歡迎電視廣告。最後，「贏上門篇」脫穎而出，榮獲綜合類別之「最受歡迎電視廣告」，可見此電視宣傳片成功引起觀眾注意及關注吸煙問題的嚴重性。
June
2009
RED is TED.. on this
Saturday, June 06, 2009
Ted of RED visiting Digital Magic,
and met students of APA's School of
Television and Motion Pictures,
Academy of Performance Art. A mini
seminar and study on RED ONE
Production and Post production
workflows.
Can you found RED's the Scarlet in
the pictures??
Welcome and thanks to Dan,
March 2009
Mobile phone
creative content competition winners
from Digital Magic
At Filmart
2009, our booths displayed
the RED ONE 3d Stereo solution.
Sony's flagship F35 Camera system
BaseLight Digital Intermediate
system
Depth Q single projector active 3D
display
March 2009
TVB Most Popular TV Commercial
Awards
Congratulations to Ah Fai!!
2 out of the 5 Finalist's
API category works, of the TVB's
Best Hong Kong TV commercials/
TVB最受歡迎廣告 are
Directed by Ah Fai
Congratulations!!!
Produced by Film Magic under Anna!!!
Animation and Post by Digital Magic,
and directed by Cheong Gor!!!
Many thanks to Triangle Pacific for
the creation of the concept,
supervisions, and awarded us with
this opportunity in filming and
post-production
http://www.youtube.com/watch?v=OejP9-9eAA0
http://www.youtube.com/watch?v=BqMr36tnGVM
--
director
version
March 2009
Sony
F35 Camera system in Action, in Hong
Kong
Initial test with HDCam SR HQ 880/Mbps,
under Sony's S-Log imaging technology
We
believe this would be the best Digital
Film Making technology available for
Cinematic release woks
Post
processing towards Digital Cinema and
Film Movie projection test in progress,
under Film Magic, Digital Magic, i-Magic
and Heavy Optical
See
the result at Digital Magic Film Show on
24th March 2009 at Filmart. 10AM at
Theatre ONE
F35
and XDCam PDW700 Camera system display
at Filmart's 2009 Digital Magic's Booth
Jan 2009
A Canon 5D Mark HD shot by
Kenneth and Karlo,
a visual story of Tong Yie Tang in
Cheung Chui,
Dec 2008
Canon HD qaulity filming in Action
One of
the first owners of the new Canon EOS 5D
Mark II in Hong Kong
we
observed..
21
mega-pixel SLR with H.264 1080P 60
capability
30P
only, 25/24P is not enabled
you
can't control the iris or ASA easily.
use of fully manual lenses such as those
from Zeiss.
5D Mark II camera "burst mode" at 3.9 shots
per second,
at 5616 x 3744
resolution JPEG mode,
Maximum of 310
frames
Dec 2008
Latest TV commercial promoting Urban Renew
Consultation process,
for Hong Kong SAR Development Bureau, under
the creative supervision of Triangle Pacific
Here is Fai.., directing and filming with
RED ONE
The Director's dream of a Film style shoot
with all Movie PL Arri Primes
Film Magic's RED ONE on location with PL
mounted Shift and Tilt lens
RED ONE crew and DIT at work, a Data centric
workflow
RED ONE Post with Assimilate Scratch's .r3d
conform and RAW color workflow,
additional compositing with Flame 2009,
and additional enhancement Da Vinci 2K Plus
Here is the TV Commercial a week after
the shoot, Post and CG by Digital Magic
Link:........
Aug 2008
XDCam EX1 with
Film lens adopter
Arri PL lens on LetUS35
Mount, T1.3 and T2 set
We have a set of 2 XDCam
EX1 adopted for budgeted 3D stereo filming
May 2008
April 2008
Prime lens adoptor
LETUs35 in action with Film Magic, for
1. Sony XDCam EX,
2. Panasonic HVX200,
Lens mount include:
a. Arri PL mount
b. Nikon mount
Live show production service for
PUSSYCAT Dolls Concert,
and new year countdown at Venetian Arena, Macau.
Multi-camera coverage, and live multiscreen display
Dec 2007
Another ArriLaser to arrive in Hong Kong
Heavy
Optical has committed with Arri in purchase of
an Arri Laser for quality 35mm Film work.
The industry
has ask for it, and we listen.
Heavy
Optical, the largest and eldest digital film
service provider in Hong Kong, has provided to
the industry over 30 years of quality film post
production service. Servicing most part of Asia,
and extending our works to Europe and America.
We work with
Film productions, post-production and renowned
visual effect house to create the best digital
film production pipeline, meeting today's
Digital Intermediate workflow.
Arri Laser
ordered will include some of the special
features, which will push the quality of digital
film work to a higher level, these included:
a. 35mm
Internegative film output
b. 35mm film
negative work, specially design for CG and
Animation master.
c. Work
seamlessly with Kodak Cineon Genesis Plus
d. Special
HD module, handle 1920 resolution files for full
aperture 35mm release
e. Advance
ArriLaser Interactive configuration Editor,
ALICE, to enhance video based
film works
f. Arri Cube
color management system
h. Full
service Platinum package will be acquired from
Arri, to assure performance
We have all
the resources and experience of CRT film work,
Arri Laser would be a good addition to our
batches of film systems to ensure your work to
be on schedule and to meet various industrial
needs
Heavy
Optical working along with Digital Magic in Hong
Kong, will also provide
a. Millennium 2 pin-registered scanning+ DVS
Clipster, for 2K/4K scan and image files
b. Da Vinci
2K Plus, Da Vinci toolbox 2 color creation
c. Digital
Vision DVNR 2K/HD444 grain control, dirt and
scratches concealment
d. Da Vinci
Revival for restoration.
e. mastering
on HDCam SR 444
f. Flame
2007, and Smoke 2007 for conform, your 2K and
HD444 workflow
g. 2K DLP
cinema Barco/ Dolby/ JBL screening room
h.
Deliverables, HD mastering, D-Cinema DCP, and QC
service
To contact
with Heavy Optical, please call 852-25715432
Full HD, FHD
Most of the early HD equipment are not full
complied to the 1920x 1080 display.
Full HD will offer true 1920 x 1080
operation and display
The other level we would like to look into
is 4:4:4 display of color
HDCam SR 4:4:4 also carried 12 channels of
Audio
Digital Intermediate 2K
According to the early Kodak Cineon
specification, this is based upon 2048 x 1556 for a full-gate
35mm film scan, or as adjust for full screening aperture for
1:2.35 anamorphic display at 1828x 1556. 10 bit log .dpx.cin is
commonly use for effective post-production work
Ultra HD, UHD
Camera designed to operate higher than HD
quality.
Like RED, with her 4096x 2304 is an UHD
camera, employ RED code, a Wavelet base 12 bit 12:1 visually
lossless compression
Peter Jackson test film has rated RED at 250
ASA at 24fps
A good digital perform to built single
camera dual lens Stereoscopic vision work.
UHD 8K
7680x 4320 which has to stream 32 million
pixels at 24Gbit/sec., 16x resolution of HD, comparable or said
to be better than IMAX's 15 perf 70mm film work. Initial
standard design to have 22 channels of audio, a NHK research
project, this reminded me of a visit made 33 years ago to NHK
research center, where I had experiment with prototypes of
Plasma and HDTV.
Specialist with HDTV production, and reseller of HD image library
- HD WMV
with China, 01, Guelin
[WM9 282K]
- HD WMV
with China, 02, Shanghai
[WM9 282K]
Dec 2005
HK SMPTE 2005,
Digital
Intermediate and Color Management
Digital
Entertainment Conference Asia 2005
HDTV mastering, and Digital Cinema
Pictures of camera under Beta test Sony F23 Digital Cine Camera
HD XDCam,
CineAlta, with Variable frame rate, direct on to
Blue ray Disc
JVC HDV100
 |
