Live show production service for
PUSSYCAT Dolls Concert at Venetian Arena
The DE/Digital
Entertainment Person
of the Year
A GDC
Server EN1000 is installed in i-Magic
New Force, and a New
Dimension
Young team forming a
new force with the Cinematic magical world.
Directors/ Producer
開心家庭篇 --
Happy Family
Our Animation World /
我們的動畫世界 ....
Solo Indonesia HD location filming support:
RED 3D Stereoscopic half
way mirror for rent Create 3D live filming
3D Stereo Vision
Production
Tele-prompter for location works
3D
stereoscopic filming by Film Magic
HD
Service in Film Magic
|
Aug 2008
XDCam EX1 with Film lens adopter
Arri PL lens on LetUS35
Mount, T1.3 and T2 set
We have a set of 2 XDCam
EX1 adopted for budgeted 3D stereo filming
 
May 2008 April 2008
Prime lens adoptor
LETUs35 in action with Film Magic, for
1. Sony XDCam EX,
2. Panasonic HVX200,
Lens mount include:
a. Arri PL mount
b. Nikon mount
 Live show production service for PUSSYCAT Dolls Concert, and new year countdown at Venetian Arena, Macau.
Multi-camera coverage, and live multiscreen display
Dec 2007
Another ArriLaser to arrive in Hong Kong
Heavy
Optical has committed with Arri in purchase of
an Arri Laser for quality 35mm Film work.
The industry
has ask for it, and we listen.
Heavy
Optical, the largest and eldest digital film
service provider in Hong Kong, has provided to
the industry over 30 years of quality film post
production service. Servicing most part of Asia,
and extending our works to Europe and America.
We work with
Film productions, post-production and renowned
visual effect house to create the best digital
film production pipeline, meeting today's
Digital Intermediate workflow.
Arri Laser
ordered will include some of the special
features, which will push the quality of digital
film work to a higher level, these included:
a. 35mm
Internegative film output
b. 35mm film
negative work, specially design for CG and
Animation master.
c. Work
seamlessly with Kodak Cineon Genesis Plus
d. Special
HD module, handle 1920 resolution files for full
aperture 35mm release
e. Advance
ArriLaser Interactive configuration Editor,
ALICE, to enhance video based
film works
f. Arri Cube
color management system
h. Full
service Platinum package will be acquired from
Arri, to assure performance
We have all
the resources and experience of CRT film work,
Arri Laser would be a good addition to our
batches of film systems to ensure your work to
be on schedule and to meet various industrial
needs
Heavy
Optical working along with Digital Magic in Hong
Kong, will also provide
a. Millennium 2 pin-registered scanning+ DVS
Clipster, for 2K/4K scan and image files
b. Da Vinci
2K Plus, Da Vinci toolbox 2 color creation
c. Digital
Vision DVNR 2K/HD444 grain control, dirt and
scratches concealment
d. Da Vinci
Revival for restoration.
e. mastering
on HDCam SR 444
f. Flame
2007, and Smoke 2007 for conform, your 2K and
HD444 workflow
g. 2K DLP
cinema Barco/ Dolby/ JBL screening room
h.
Deliverables, HD mastering, D-Cinema DCP, and QC
service
To contact
with Heavy Optical, please call 852-25715432
Lik,
producer,
lik@heavyoptical.com.hk
Jackie,
production coordinator,
jackie@heavyoptical.com.hk
Percy,
technical consultant,
percy@heavyoptical.com.hk
Francis,
chief engineer,
francis@heavyoptical.com.hk
Heavy
Optical,
www.heavyoptical.com.hk,
is a subsidiary of the Film Magic group, partner
with Digital Magic,
www.digitalmagic.com.hk, and
i-Magic,
www.i-magic.com.hk,
to serve the Asian motion picture industry
Full HD, FHD
Most of the early HD equipment are not full
complied to the 1920x 1080 display.
Full HD will offer true 1920 x 1080
operation and display
The other level we would like to look into
is 4:4:4 display of color
HDCam SR 4:4:4 also carried 12 channels of
Audio
Digital Intermediate 2K
According to the early Kodak Cineon
specification, this is based upon 2048 x 1556 for a full-gate
35mm film scan, or as adjust for full screening aperture for
1:2.35 anamorphic display at 1828x 1556. 10 bit log .dpx.cin is
commonly use for effective post-production work
Ultra HD, UHD
Camera designed to operate higher than HD
quality.
Like RED, with her 4096x 2304 is an UHD
camera, employ RED code, a Wavelet base 12 bit 12:1 visually
lossless compression
Peter Jackson test film has rated RED at 250
ASA at 24fps
A good digital perform to built single
camera dual lens Stereoscopic vision work.
UHD 8K
7680x 4320 which has to stream 32 million
pixels at 24Gbit/sec., 16x resolution of HD, comparable or said
to be better than IMAX's 15 perf 70mm film work. Initial
standard design to have 22 channels of audio, a NHK research
project, this reminded me of a visit made 33 years ago to NHK
research center, where I had experiment with prototypes of
Plasma and HDTV.
Specialist with HDTV production, and reseller of HD image library
Dec 2005 Digital
Intermediate and Color Management Digital
Entertainment Conference Asia 2005
Pictures of camera under Beta test Sony F23 Digital Cine Camera
JVC HDV100 |
